This sequence made in London at the British Museum, may be seen from afar as an abstract calligraphy, or very close up, to see in details people’s identities. This work explores the specific theme of camera surveillance, but also recurrent themes in my work such as the relations presence/absence, visible/invisible, repetition/permutation in a very fragmented and multiplied point of view.
La calligraphie des fourmis I - British Museum London - 2007
polyptych of 54 panels - 300x120inches
La calligraphie des fourmis II - British Museum London - 2007